USERrights 2026

Copyright, the Right to Research and Just AI

Who was there, and what they said

30 September – 2 October 2026 · Villa Barton (Domaine Barton), Geneva

15 sessions61 speakers53 knowledge bites109k words transcribed

With our partners

Geneva Graduate InstituteProgram on Information Justice and Intellectual Property (PIJIP), American University Washington College of LawArcadiaWeizenbaum InstitutCOMMUNIACornell Law School, Center for Law & AIAccess to Knowledge CoalitionWikimedia FoundationOpen AIR (African Innovation Research)IP Unit, University of Cape Town
Villa Barton, Geneva
Villa Barton · photo: Geneva Graduate Institute

For three days at Villa Barton on the shore of Lake Geneva, the Global Expert Network on Copyright User Rights met to ask what copyright should allow in the age of artificial intelligence: for researchers, for libraries and archives, for creators, and for the communities whose knowledge feeds the machines.

Here is who was there and what they said. Each session below shows the speakers in their own words, with photos, short video bites, the slides and the full transcript. Open a session to see everything, or search across all of it.

The themes of Copyright, the Right to Research and Just AI

Theme 4

Creator Rights & AI Creations

Balancing creators’ rights against copyright owners’ rights, and protection against cloning, deepfakes and memorisation.

Zachary CooperClark AsayCarys CraigSéverine DusollierThomas MargoniS9 Copyright and AI Outputs

About the Global Expert Network on Copyright User Rights ›

The sessions

Thursday 1 October

08:00–09:00 Light breakfast

S1

09:00–09:30 · Auditorium

Opening and Introduction

Sean Flynn

And then came AI. … Copyright is again on the front pages. … Fears of the displacement of creators and workers and increased demand on open content providers and reports literally of the death of humanity are shaping our positions once again.Sean Flynn

From the transcript“There was a series of WTO decisions that had recently come out that had taken a very restrictive interpretation of the three-step test that in particular had threatened the permissibility of more flexible, open-ended limitations and exceptions in copyright, like the U.S. fair use exception.” — Sean Flynn

S2

09:30–11:00 · AuditoriumPublic AI and Just AI

The Case for Just AI

Ben Cashdan · Arul Scaria · Luca Cominassi · Teshager Dagne · Carolina Botero · Anna Mazgal

All 10 photos ›
And then the most important one, I think, is the money, is following the money. So that's the shape, I think, of things, is that we're the people at the bottom supplying the inputs and we're the people at the top requiring the outputs, but everything goes through a funnel on the way there.Ben Cashdan

From the transcript“And the swarm starts to get a little organized. So from being sort of random communication between different agentic AIs, they organized themselves and more systematically did work. And they came up with the term swarm. So Swarm was what they decided to call themselves, and they just accessed the Hugging Face website.” — Ben Cashdan

11:00–11:30 Refreshments available

S3

11:30–13:00 · AuditoriumThe Right to Research

Minimum L&Es to Enable Just AI

Sean Flynn · Martin Senftleben · Rachael Samberg · Thomas Margoni · Maja Bogataj Jančič · Carys Craig

All 13 photos ›
what kind of an exceptions environment do we think is appropriate in this current moment? If we were going to take one step forward, would it be the same step that we would have taken 10 years ago,Sean Flynn

From the transcript“If you don't have lawful access, nothing of what we have said so far may be done, so the exceptions simply do not operate. Lawful access interacts obviously in interesting ways with Article 4 and the possibility to opt out. So, as we have said, Article 3 is mandatory; Article 4 allows right holders to opt out from text and data mining.” — Thomas Margoni

13:00–14:00 Lunch

S4

14:00–15:30 · AuditoriumRemuneration & Licensing

Sustaining creativity via Remuneration & Licensing

Luca Schirru · Séverine Dusollier · Elena Izyumenko · Alice de Perdigão Lana · Chuck Roslof · Paul Keller

Luca Schirru
The idea is to get everyone to keep creation flowing, to keep people interested in creating. So if you know that you can be an artist and you can be a musician and you can create and you can still pay your bills, this is a huge…
Luca Schirru▶ bite
Séverine Dusollier
And looking from that perspective means that maybe creativity should be protected and remunerated not because it would compensate for some harm, but because we need to sustain culture, knowledge, as a common good essential for society…
Séverine Dusollier▶ bite
Elena Izyumenko
So I guess what I'm trying to argue is that if we invoke human rights to justify AI remuneration, we really have to be consistent and follow that argument through, and ask who actually gets paid and whether the creators really benefit.
Elena Izyumenko▶ bite
Alice de Perdigão Lana
We have beautiful solutions on paper that might not work in most countries. … It's not sustaining creativity in Europe. If that was the case, I probably wouldn't be here. So we have to think of models that work in countries with weaker…
Alice de Perdigão Lana▶ bite
Chuck Roslof
And I think that Professor Dusollier's point about copyright as part of a cultural sphere … and landscape really resonated with me, because I think if we use that model, … we can think about how we regulate that sphere in a way that…
Chuck Roslof▶ bite
Paul Keller
This is not a selective process; people have not taken, "I'll take this and I'll take that and I don't take that." They have taken everything that was up for grabs, and that is what made this technology different. … So trying to solve…
Paul Keller▶ bite
All 14 photos ›
So I guess what I'm trying to argue is that if we invoke human rights to justify AI remuneration, we really have to be consistent and follow that argument through, and ask who actually gets paid and whether the creators really benefit.Elena Izyumenko

From the transcript“So practically, if the creators' works were already used for training an AI model and to generate economic value, then to take this economic value, which could have remunerated those creators, and to redirect it to finance creativity more generally, starts to look, at least functionally, like a deprivation of those creators' material interests.” — Elena Izyumenko

15:30–16:00 Refreshments available

S5

16:00–17:30 · AuditoriumWIPO Negotiations on L&Es

Multilateral System, Right to Research and JustAI

Susan Isiko Štrba · Henning Grosse Ruse-Khan · Michael Geist · Neha Mishra · D Stephen Wyber · Viviana Muñoz

All 15 photos ›
We all agree, maybe, that copyright or intellectual property is a private right. … is there a responsibility for governments to regulate those private rights?Susan Isiko ŠTrba

From the transcript“So that's somewhat the context against which, let me just skip that because of time, against which then major developers, the frontier model developers, this is Amodei, Dario, from Anthropic, suggesting to pace the frontier. Right? And that is, again, a famous paper he came out with about a couple of weeks ago.” — Henning Grosse Ruse-Khan

17:30–20:00 Reception

Friday 2 October

08:30–10:00 Light breakfast snacks

S7

09:00–10:45 · Room B11The Right to Research

Right to Science

Margaret Chon · Andreas Reis · Argyri Panezi · Guillermo Rodrigo Corredor · Kacper Szkalej · Klaus Beiter · Heather Joseph · Yuanqiong Hu

S6

09:00–10:45 · Room B12Traditional Knowledge & AI

Traditional Knowledge: Legal Rights and Ethical Responsibilities

Wend Wendland · Kim Nayyer · Vitor Ido · Paula Westenberger · Teshager Dagne · Nancy Weiss

Wend Wendland
In fact, I would argue that the challenges posed by AI are amplified and made more vivid when one speaks about TK. TK is therefore an edge case. It's a hard case on which there's much to be said that is relevant to designing a…
Wend Wendland▶ bite
Kim Nayyer
So I see it less as a copyright problem and more of a larger-scale problem of exploitation, extraction, taking of knowledge and power. … But looking at more individual-level remuneration per work, I think, is an insufficient approach…
Kim Nayyer▶ bite
Vitor Ido
The main thing, and I'll be very blunt about it, is that oftentimes open access conditions that come with big funders basically violate previously agreed consent negotiations. … You see also big funders that come and say, oh, we must…
Vitor Ido▶ bite
Paula Westenberger
…if copyright governs a researcher's corpora of data for a research project, the copyright is biasing the research, yes. The corpora, the data that is used for research, has to be governed by the research question, not the copyright…
Paula Westenberger▶ bite
Teshager Dagne
And the harms are significant. … The market replacement of the authentic art with this unauthenticated reproduction devalues the community-made artwork. But beyond that, the inaccurate representation, the misinformation, as well as the…
Teshager Dagne▶ bite
Nancy Weiss
By voice I mean how do you have Indigenous peoples define and describe their own knowledge rather than simply have another speak for them, so having that authenticity. Agency is the ability to participate meaningful in decisions about…
Nancy Weiss▶ bite
All 14 photos ›
So I see it less as a copyright problem and more of a larger-scale problem of exploitation, extraction, taking of knowledge and power. … But looking at more individual-level remuneration per work, I think, is an insufficient approach when we really consider that this is really another form of colonialism, colonization of knowledge in this case, rather than land or resources or human labor.Kim Nayyer

From the transcript“So whether an individual work is... whether there's evidence of it being replicated in an output, for example, of a transformer model, is really irrelevant. That only serves as evidence that there was knowledge used. It doesn't have anything to do with remuneration rights. The point is that the datafication happens from the aggregational appropriation of knowledge, not necessarily from reproduction of individual works.” — Kim Nayyer

09:00–11:00 S8 Towards Common Principles for Data Re-use Conditions (closed meeting)

10:30–11:30 Refreshments available

S10

11:15–12:45 · Room B11Public AI and Just AI

Just AI in the Global South

Tobias Schonwetter · Arul Scaria · Hanani Hlomani · Pierre El Khoury · Susan Isiko Štrba · Allan Rocha de Souza · Carolina Botero · Patricia Diaz · Teshager Dagne

S9

11:15–12:45 · Room B12Creator Rights & AI Creations

Copyright and AI Outputs

Zachary Cooper · Clark Asay · Carys Craig · Séverine Dusollier · Thomas Margoni

All 13 photos ›
So then at a certain point, all that matters is who once upon a time in the 20th century owned everything, and now they just get a cut of everything that everyone makes in the 21st century. That to me is a kind of disaster.Zachary Cooper

From the transcript“In the U.S., I would argue, you know, probably less seemingly liable than in Europe, because in the U.S. everything is about volition. One judge put that as: who actually presses the button? They also have the Sony case law where if something is substantial non-infringing uses. Despite that, a lot of people still think that AI companies could be considered volitionally... they don't really seem to be the ones…” — Zachary Cooper

S11

11:30–13:00 · Room B13The Right to Research

Globalising Fair Use & Library Rights

Jonathan Band · Naama Daniel · D Stephen Wyber · Torger Kielland · Henning Grosse Ruse-Khan · Rachael Samberg

12:00–15:00 Lunch available

S13

13:15–14:45 · Room B11WIPO Negotiations on L&Es

African Group Proposal on L&Es

Sean Flynn · Cosmas Babilas Masimo · Juteau Tousse · Tobias Schonwetter · Carys Craig · Henning Grosse Ruse-Khan · Martin Senftleben · Susan Isiko Štrba · Teresa Nobre

S12

13:15–14:45 · Room B12The Right to Research

Defending the Commons & Open Access

Anna Mazgal · Aman Gebru · Apoorv Pragya · Delia Browne · Meredith Jacob · Sara Benson · Viviana Muñoz

Aman Gebru
AI is predictive technology, and the more good-quality input it gets, the better the output would be, right? And so, we've given collectively our creativity, but now we've been asked to pay subscription, maybe even pay by sort of…
Aman Gebru▶ bite
Apoorv Pragya
Now everything that is, you know, on the internet, on AI, what they are sort of feeding on is data. … And that data does include scholarly communication. So because of this, the politics of access to knowledge is the politics of the AI…
Apoorv Pragya▶ bite
Delia Browne
…how can we actively shape those conditions under which collections are actually accessed and reused by bulk AI systems without compromising this openness? It's an impossible quandary and paradox that we're trying to deal with, but…
Delia Browne▶ bite
Meredith Jacob
Like, if you look at Reddit, if you look at all of the different social media, like, you know, Tumblr, LiveJournal, all of these things that have had huge communities. Like, I don't think people contributed to those because they were…
Meredith Jacob▶ bite
Sara Benson
I know our legal counsel is very frustrated, because someone will rely on, on some terms of service and then all of a sudden they've changed, and now they've violated the rules. … how is anyone supposed to rely on what they accessed…
Sara Benson▶ bite
Viviana Muñoz
I really liked when it was framed as the defence of the commons, because we are in an environment in here in Geneva, we don't have an international knowledge organization that even looks at different ways: how to construct knowledge,…
Viviana Muñoz▶ bite
All 10 photos ›
AI is predictive technology, and the more good-quality input it gets, the better the output would be, right? And so, we've given collectively our creativity, but now we've been asked to pay subscription, maybe even pay by sort of giving up our livelihood and the like.Aman Gebru

From the transcript“And so, of course, there are people here that know more about this than I do, right? The librarian community is concerned. I have colleagues at the University of Houston that I work with closely, and they are concerned. I don't think the worst-case scenarios have happened yet, but everybody's anxious to see what Elsevier does with it. So, there's this widespread concern about restrictive commercial practices.” — Aman Gebru

S14

13:30–15:00 · Room B13

Rethinking Copyright in the Age of AI

Luca Schirru · Nino Eloshvili · Aditya Gupta · Bita Amani · Lokesh Vyas · Maria Vasquez Callo Müller · Sevinchbeka Khazratkulova

S15

15:30–17:00 · AuditoriumPublic AI and Just AI

Elements of a Vision for Research and JustAI

Ben Cashdan · Anna Mazgal · Jonathan Band · Margaret Chon · Michael Geist · Sean Flynn · Teresa Nobre · Wend Wendland · Zachary Cooper

Ben Cashdan
If you're dealing with entertainment and big tech is the user, or if indeed it's sacred traditional knowledge... … And what you're doing is directly reproducing or mimicking, you might lean towards protection. … When you try and get in…
Ben Cashdan▶ bite
Anna Mazgal
I think we also moved from the framework of defending to the framework of protection. And I think these are indeed a bit of different approaches, not only semantics, because protection, I think, is also about nurturing, right? This is…
Anna Mazgal▶ bite
Jonathan Band
…the national library in Norway is using the legal deposit to create a public AI. … we could really see … a lot of public AIs evolving … on a national basis or on a regional basis.
Jonathan Band▶ bite
Margaret Chon
I don't think AI is merely an enabling tool like a typewriter or a camera. … it's a tool that can flatter, persuade, deceive, power seek, and even ultimately possibly control us. So how do we recenter the human in the knowledge…
Margaret Chon▶ bite
Michael Geist
And I do believe that sovereignty is a framing that this community owns. … what it really means once you unpack the marketing wrapper, is about the right of individual countries to make sovereign choices from a legal perspective for…
Michael Geist▶ bite
Sean Flynn
…at the last meeting, the research institutions part fell out of the agenda. … There's disputes within different countries about whether they want the globalization of research exceptions. … The topic of AI makes certain countries and…
Sean Flynn▶ bite
Teresa Nobre
So we want to continue to talk about openness, but maybe we need to redefine openness, and need to think if each of the elements that we have considered essential for openness can still coexist with large-scale reuse of the commons.
Teresa Nobre▶ bite
Wend Wendland
…all the very policy issues that we have been discussing the last days in relation to AI generally, consent, access, control, inclusivity, attribution, compensation, humanity, sovereignty, authenticity, they are amplified when we talk…
Wend Wendland▶ bite
All 17 photos ›
If you're dealing with entertainment and big tech is the user, or if indeed it's sacred traditional knowledge... … And what you're doing is directly reproducing or mimicking, you might lean towards protection. … When you try and get in the middle with a normative hat on, it starts to get very, very murky,Ben Cashdan

From the transcript“Please speak to her about this very interesting work, because if we focus on the thinking that we, I think, used to have, I think I can use this tense for that, that indeed these mechanisms are instruments and are neutral, we are then really stepping on the rake in the grass of the problems that create more friction than is actually necessary.” — Anna Mazgal

S16

17:00–17:15 · Auditorium

Concluding Thoughts

From the transcript“And I think I'll just kind of leave it there, but to say yes, I mean, I think we absolutely can be the users of all these things, and I think the framing of trying to relate ourselves to AI and these knowledge questions as a matter of both right, and as a matter of both users and citizens, I think, is powerful, and we should continue to investigate.” — Sean Flynn

17:15–17:45 S17 User Rights Network Meeting (closed meeting)

17:30–20:00 Reception

↑ Back to the topAbout the Global Expert Network on Copyright User Rights Privacyknowledgegov.org